SCULPTURE MATERIAL The subject is carved from painted wood or resin (polychrome sculpture style). Skin is no longer skin: It becomes a matte carved surface with visible tool marks, tiny cracks, subtle paint wear, and hardened edges. Add: β’ chisel planes on cheeks and forehead β’ carved eyelids and nostrils β’ slightly flattened planes instead of soft flesh β’ painted but slightly aged coloration HAIR (CRITICAL β THIS DEFINES THE STYLE) Hair must NOT look real. The hair is sculpted: β’ carved locks and grooves β’ thick grouped strands β’ simplified shapes β’ visible chisel cuts β’ rigid structure β’ no flyaways, no softness, no realistic strands Think: artisan statue hair, not human hair. CLOTHING Clothing becomes carved fabric: β’ simplified folds β’ hardened drapery β’ painted texture β’ slightly worn edges COMPOSITION β’ chest-up bust β’ mounted on a round pedestal base β’ centered framing β’ neutral studio background β’ soft museum lighting β’ photographed like an art catalog AVOID real skin texture photoreal pores
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